Windsor
chairs have a quiet dignity all their own. Few chair
designs being made today can compare with their
enduring charm. Add to that, authentic colors and
meticulous craftsmanship, and you have a piece of
furniture that would be difficult to surpass.
Legend
says that George I of England saw a simple wooden
chair in a rustic home and was so intrigued with it
that he had several made. It later became the most
popular furniture form in America during the 18th and
19th centuries, and is now becoming sought after
again.
Antique
Windsor have survived in good shape as a result of
the was they are constructed. Craftsman Robert A.
Dluzen faithfully adheres to the methods of the early
chairmakers, constructing an open, delicate looking
chair that belies its resilient nature.
Using
woods chosen for their natural characteristics that
suit the individual parts of the chair, the
chairmaker uses red oak or hickory which have the
flexibility and strength needed for the back bow, arm
bow, and back spindles. Riven out of a log, they are
thinned with a drawknife and spoke shave to the
desired width. The back and arm are steamed and bent
into the bow shape in wooden forms.
The
legs, rungs and arm posts are turned on a lathe and
therefore need to be made from a closed grain wood
such as birch, cherry, or maple that takes on a
smooth surface.
The
hand contoured seats are milled from large logs of
pine or poplar; easily worked woods that shrink
little and do not crack. The raw planks are then
scooped out with an adz and further shaped with a
scorp and travisher.
The
parts are assembled using glued tenons and fox wedges,
just as famous chairmaker E. B. Tracy did 200 years
ago.
To put
the authentic finishing touch on these Windsors, they
are painted with real milk paint that uses lime, milk,
clay, and earth pigments such as ochre, umber, iron
oxide, and lampblack. They are then given a
protective hand-rubbed finish of linseed oil and
turpentine. A clear finish of just oil and turpentine
can be applied to show the beautiful grain of the
different woods.
The
result is a functional yet simply elegant piece of
classic furniture made with patience and tradition
that is attuned to an historic past.
-Robert A. Dluzen